Rubberband, llp

http://rubberbandpr.com
http://facebook.rubberbandpr.com
http://twitter/rubberbandpr

June 1, 2012 at 8:11pm
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#duncandeltoro #industrialdesign #designhistoryresearch con #limberdeoro  (Taken with instagram)

#duncandeltoro #industrialdesign #designhistoryresearch con #limberdeoro (Taken with instagram)

May 30, 2012 at 2:40pm
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#HCI #developer meets @limberdeoro  (Taken with instagram)

#HCI #developer meets @limberdeoro (Taken with instagram)

February 24, 2012 at 7:33pm
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Rubberband,LLP’s 8 Design Principles for Democratic Design

Since our start in 2008 we have developed a number of strategies that help us maintain our work focused on the motivations of our mission and vision. We have created a list of eight principles that summarize the philosophy of Rubberband, LLP.

1. Citizen Designer: is the designer that inserts him/herself into the society and, accordingly, acts responsibly with the other from his/her position as a designer. It is the practitioner of the democratic design, and uses design for the benefit of all groups of society. His/her practice is sensitive to the needs of different user groups.

2. Open Process: Designers are not magicians. They do not have to hide their process. An open process helps to educate others (users and clients) about what design is and how it works; also, invites others to improve upon it.

3. Reflective Practice: We evaluate decisions in real time and not after taking them. Based on Donald Schön’s (The Reflective Practitioner, How Professionals Think In Action, 1983) “Learn by doing” but adapted to the local context. 

4. Client-collaborator: The client is part of our creative team. In the end, it is their project, and with an open process, the client becomes an accomplice in every decision. 

5. Do No Harm: Everything is personal; we are all people, even in business, and everything affects us on a personal level. Design is a tool of social change, it is important to use it responsibly, for the common good and not to do harm.

6. Trans-disciplinary Practice: Our practice crosses the boundaries of the design profession. We call it “Liquid Design”, like water, it is formless; it adapts its shape accordingly. In our projects we invite professionals from various disciplines to join the team. Thus getting another look beyond our perspective as designers, and making the product, one better designed for all aspects of a user. 

7. Research Practitioner: does not make a move without researching, also, he/she makes sure to publish the findings. Research in the practice is essential because theory, feeds from practice, and practice from theory. 

8. Education of a New Generation: the responsibility of experienced designers with new emerging colleagues. The formation of a designer does not end after design school, it barely begins. We have a commitment with emerging designers, to inform of alternatives ways of developing a design practice. We do not seek to create Rubberband clones, but give access to tools that promote a sustainable and responsible practice of design.

Schön, D.A. (1983). The Reflective Practitioner: how professionals think in action London: Temple Smith.

January 28, 2012 at 10:27am
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Donald Judd ‘s color theory

http://findarticles.com/p/articles/mi_m0268/is_n10_v32/ai_16097494/?tag=content;col1

January 11, 2012 at 9:31pm
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International Journal of Design- disponible en linea

International Journal of Design - www.ijdesign.org - gratis y disponible en linea
Vol. 5 (3) December 2011 | Table of Contents

Original Articles

Do Users Know What Designers Are Up To? Product Experience and the Inference of Persuasive Intentions
Nathan Crilly

Isn’t It Cute: An Evolutionary Perspective of Baby-Schema Effects in Visual Product Designs
Linda Miesler , Helmut Leder , Andreas Herrmann

Touching a Stranger: Designing for Engaging Experience in Embodied Interaction
Mads Hobye , Jonas Lowgren

Designing for Social Configurations: Pattern Languages to Inform the Design of Ubiquitous Computing
Sebastian Denef , Reinhard Oppermann , David Victor Keyson

The Effect of a Business-like Personality on the Perceived Performance Quality of Products
Ruth Mugge

Noisy Products: Does Appearance Matter?
Anna Fenko , Hendrik N.J. Schifferstein , Paul Hekkert

Laggards as Innovators? Old Users as Designers of New Services & Service Systems
Anna Essen, Britt Ostlund

The Influence of Context on Product Judgement—Presenting Assistive Products as Consumer Goods
Ana Maria Vieira Rebelo Correia de Barros , Carlos Duarte , Jose Bulas Cruz

Design Case Studies

Interactivity Attributes for Expression-oriented Interaction Design
Youn-kyung Lim , Sang-Su Lee , Da-jung Kim

Designing to Support Social Connectedness: The Case of SnowGlobe
Thomas Visser , Martijn H. Vastenburg , David V. Keyson

Acknowledgement

Acknowledgement of Reviewers
Yaliang Chuang, Managing Editor

December 20, 2011 at 4:32am
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Sobre la investigación creativa

Se hace necesario que la investigación basada en las prácticas de arte y diseño sea publicada por quienes la practican.

Artículo de MARÍA DE MATER O’NEILL en ForoAlfa.

Blog de discusión comunicación, branding y diseño.Es consultado por profesionales, docentes y estudiantes de toda Iberoamérica.

http://foroalfa.org/

December 14, 2011 at 2:38pm
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Seven Papers on Technology for Accountability

Open invitation for feedback: The World Bank wants to hear your views on seven new research papers launched under the Open Development Technology Alliance. The papers consider the relevance and transferability of Open Data for development and how to empower citizens through ICTs. Read the papers and join the discussion.

http://www.scribd.com/collections/3389411/Open-Development-Technology-Alliance

October 24, 2011 at 1:37pm
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Ramesh Srinivasan: “Empowering Culture and Context”

Featuring guest Ramesh Srinivasan, Assistant Professor in the Department of Information Studies at UCLA.

The power of culture and context dramatically shape technology’s influence on networks and power worldwide. Having just spent a month in the field in and around Egypt, and building on earlier work in Kyrgyzstan, I will describe how ‘social media’ shapes and impacts but one limited set of networks within the many that characterize everyday life. I will discuss in both cases how social movements are fueled by layers of networks, and that digital networks tend to directly speak to those of higher economic and educational class, indirectly influencing poorer masses though not unproblematically. From these critical perspectives, I will try to tell a story how technologies can be re-envisioned and sociotechnically deisgned to better empower diverse cultural ontologies and value systems by presenting fieldwork done in India and with a group of Native Americans.

(Source: techtv.mit.edu)

10:01am
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Gui Bonsiepe - El diseño en tiempos de turbulencias

El diseño y sus posibles funciones se analizan en el trasfondo de la actual triple crisis: en el ámbito financiero, en el ámbito medio ambiental y en el dominio socio-económico.

(Source: vimeo.com)

October 2, 2011 at 11:00am
5 notes

Presentación de Mari Mater O’Neill y Andrés Mignucci en el Seminario Permanente de Métodos de Investigación, UPR Río Piedras.Viernes, 30 de septiembre de 2011. Presentación de O’Neil sobre “Reflexiones sobre investigación creativa”  en http://catedrammo.wordpress.com.